Behind the song "Under the Blue of the Moon"

“Under the Blue of the Moon” tells the story of a post-apocalyptic joy ride, capturing a youthful freedom that comes with relinquishing conventionality, while simultaneously highlighting our human fallibility and innate desire to connect deeply. 

In this song, two soulmates are separated in the desert while travelling the treacherous highway of life. They both head towards a rich jungle oasis, witnessing society crumble around them, knowing they shouldn’t wait to be saved. The mantra “there is love in honour, and honour in love” carries them forward. Whether in this life or the next they have vowed to meet again at the pearly white gates of the Getty museum where they will live in rapture like benevolent jungle queens. 

“Under the Blue of the Moon”

We chase all the fear that’s chasing us

Under the blue of the moon, we repeat it’s tune

We fly down the city streets at night

Freedom’s catch twenty two, by the time it’s noon

We move to the groove  - of the final days

Creatures brought bare - by desire and longing

Championed by those - who refuse despair 

Where there is hope there still is something

There is love in honour, and honour in love…

There is love in honour, and honour in love…

Our house, it was once devout

And every prayer that was paid, was enough to be saved

Don’t wait, I will find my way to you

One day we’ll see through the haze of the world we set ablaze

We move to the groove  - of the final days

Creatures brought bare - by desire and longing

Championed by those - who refuse despair 

Where there is hope there still is something

There is love in honour, and honour in love…

There is love in honour, and honour in love…

Behind the song "Revisions"

The song “Revisions” is about experiencing gaslighting. Parts of the song describe the innate beauty observable in a person, while others allude to their darkness, mutability, and ability to manipulate. As a listener, it is easy to catch red flags from outside in quiet creepy sections, “You wanted to keep the control, you said you loved me, said we were chasing the gold, but your eyes, they stayed shaded”. It is clear though, a self-questioning persists, alongside a desire to uncover where things went wrong, to understand pivotal moments of change, or revise the past to capture it’s meaning. The answers however, are in the hands of the gaslighter, and we witness a tragic self-doubt leading to insanity “I fold over revision, revision, revision, revision… and in each version I ask what could have been”...

“Revisions” was featured on CBC’s Saturday Night Jazz; likened to songs by Radiohead or Massive Attack. As a creator I would be remiss if I didn’t highlight some of my favourite collaborative happenings which took place in the creation of “Revisions”. The first involved musical contributions from Chris Dadge, who amped up the creepiness of the quiet sections with eerie percussive textures. As well, Graham Lessard delivered on Brock Geiger’s vision to enter the track on vibes. When this song landed in Pam Tzeng’s choreographic hands, she embodied all the feels, somehow combining confusion, tragedy, evil, despair, and insanity. This was matched by the editing stylings of Landon Johnson who leaned into a “Suspiria” like colour palette, then timed and layered takes to build a narrative journey. I am so lucky that my co-creators bring joy to the darkest subject matters, helping me move towards positive resolution.

Revisions

Changed like a reptile in the shifting light

Tongue unravelling new illusions

Were these true colours, or was I deceived 

Did they just pop, against your new backdrop

I fold over revision ...

And in each version I ask what could have been 

You wanted to keep the control 

You said you loved me 

Said we were chasing the gold

But your eyes, they stayed shaded

To go back to the pause 

In the quiet snow 

I remember what your love was

Soft in the cold

A broken smile

Gentle hands 

You were just a man

You wanted to keep the control 

You said you loved me 

Said we were chasing the gold

But your eyes, they stayed shaded

I fold over revision ...

And in each version I ask what could have been